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Caroline Stevermer

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Patricia Wrede and Caroline Stevermer

This particular genre seems to attract writing partnerships - perhaps for one to write and the other to research. Whatever the reason, these two authoresses' - both known in their own right in this genre and others - should be highly commended for their ground-breaking novel in this subgenre. Alas and alack, this book is, like the Ordinary Princess woefully overpriced. A link to Bibliofind has been included, below, but you might do well to periodically check Amazon's or E-Bay's auctions, as well as the smaller but more sophisicated Advanced Book Exchange.

Sorcery and Cecelia
Literary Quality:
Christian Morality: Harmless
Age Appropriateness: Teenager

Modified from E. Snyder's Amazon review.

"Sorcery and Cecelia," an epistolary Fantasy Regency Romance (*phew!*), has quickly joined the ranks of my "novels to read when you want to stay up all night and languish all morning." Quite simply, the book is charming. Rarely do collaborative efforts seem to work, but "Sorcery and Cecelia" most assuredly does! Following the adventures of two cousins - the inept Kate in her first season in London, and the headstrong Cecelia as she discovers her sorcerous abilities - the reader is swept into a world of danger, mystery and intrigue (and the never fully explained story of WHAT in the world that adventure with the goat was about) that makes the pages turn of their own accord! The historical research is solid, the content wholesome and exciting, and the romances (Kate's especially) to sigh for. In short, as the others have said before me, this is *fun*.

Unfortunately, good novels seems to be out of vogue today, and you'll have an either difficult or exorbitant time buying it. For those who have read Wrede's other two Fantasy Regencies, "Mairelon the Magician" and "Magician's Ward," "Sorcery and Cecelia" is a must-read. For those with slim purses, interlibrary loan is a beautiful thing.

Again, however, Cecelia does dabble in spells (making charm-bags to break hexes, if I recall), which may cause some discomfort for the discerning reader. Please see the above links for more information on the Christian view of this plot-dilemma.

Caroline Stevermer

An interesting authoress, I became "hooked" on her half of Sorcery and Cecelia (see above) following the adventures of Kate. Thus armed with romantic sensibilities, I rushed out and bought another of her Alternate Realities, A College of Magics. I have been told that she has also written a better book than just mentioned, The Serpent's Egg, which is apparently set in Elizabethan England. Although not as outrageously priced as Sorcery and Cecelia, I've nonetheless not yet had the opportunity to read and review it. Ms. Stevermer has a new book out, When the King Comes Home, which is set awhile before A College of Magics, which has yet to be reveiwed.

A College of Magics
Literary Quality:
Christian Morality: Dangerous
Age Appropriateness: Adult

Modified from E. Snyder's Amazon review.

While "Sorcery and Cecelia" is set in 1817 Regency England, "A College of Magics" catapults us a hundred years further, to approximately 1908 in Edwardian Europe. The story follows Faris, the young Dutchess of Galazon (which, one presumes, is supposed to be located somewhere east of Austria and west of Romania) as she spends three years at Greenlaw University before returning to reclaim her place in politics. The catch? She's just found out that she's the Warden of the North - and that she must mend the rift her grandmother made in the fabric of this reality.

Ms. Stevermer writes in a language much akin to the literature of the time (cf. E. M. Forster, James Joyce, Virginia Woolf, etc.) - complete with random moments of insight, liberally strewn metaphysical poetry, snips and snatches of song and culture, and occasional forays into the world of subconscious or "sensation" writing. However, perhaps because of this attention to the time period, perhaps for some other reason, the story suffers several major flaws:

The plot is rather dreamlike and...strange. Often new plot lines will be introduced without explanation or reason - and then just as quickly dropped. The Wardens of the World are explained only in their existence but never fully in their capacity. Characters are introduced, given a place of prominence, and dropped after a few chapters. Places are never given an exact location except by general reference (with the exception of their time in Paris). And the ending debacle is so surrealistic that one can hardly make hide nor hair of how Faris ascended the stair, or how she closed the rift, or very much of anything. The closing is also unsatisfactory, with no "happily ever after" but a sort of vague continuing that feels as though it ought to be significant.

Again, one must commend Ms. Stevermer in her ability to so replicate the disjointedness of Eduardian literature - the attempt to show life as it is and not as it ought to be - however the result is a strangely concocted novel that never quite comes together as a whole.

Those interested in Eduardian Literature, or Historical Fantasy will find "A College of Magics" interesting. Those searching for an encore to "Sorcery and Cecelia" would do better investing in Patricia Wrede's Regency Fantasies.

The reason for the "Dangerous" morality rating lies less in plot than in outlook: the general tenor of the book is rather existentially depressing, and finishes with a ridiculous pro-feminazi non-conclusion. Men are shown as weak, the afterlife is nirvanaesque, and the dominant semi-divine powers are - at their core - merely human. Contrary to the title, there is very little studying of magic done in the book - unlike the above novels - however while the above have a generally harmless outlook on life, the universe and everything, A College of Magics tends to be entirely down-in-the-James-Joycian-dumps.

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Updated 22 July, 2007
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